"We don't use our equipment to listen to your music, we use your music to listen to our equipment.” - Alan Parsons
My audio engineering experience began in my early years of college. In 2008, my band CUBE decided to record our originals and make our first album. I knew nothing about how to do this, but I knew I wanted to, so I volunteered getting things set up to record. CUBE went on to play over 100 shows from Houston to Austin, and completed one album which you can LISTEN HERE.
Home studio in 2007 with Cakewalk DAW, Boss BR-864 Digital Recorder, 2-tiered chromatic concert-tuned pan flutes
I had the privilege of leading a sound production team of four during the filming of Ocean Soul. This involved mic'ing the actors on set, recording via booms and shotgun mics, hiding microphones on set, post-recording ADR, and cleaning and mixing all this audio with sound effects and music needing to be mixed in post. The full film is visible to the right.
ON SET, OCEAN SOUL
2019
SOUND MIXING IN STUDIO FOR OCEAN SOUL
2019
ON SET, OCEAN SOUL
2019
ON SET, OCEAN SOUL
2019
Working with a team of four engineers and various musicians, I was able to put my analog recording skills to the test by recording a cover of Kodaline's "All I Want". Recording on tape can be considered a dying skill, and to know how to use, record, and maintain a tape deck for professional recording is something few audio engineers have.
